Determining the price  

All work is quoted based on the specific requirements of each project and is billed on a time and materials basis.

Providing detailed information upfront—such as desired aesthetic, print size, edition structure, and whether the work originates from film or digital files—allows us to streamline testing and production.

We regularly work across both traditional darkroom and digital workflows, including the translation of digital files into LVT negatives for silver gelatin printing. Pricing reflects the specific process and level of refinement required.

Once a final print has been established and approved, our highly specialized workflow enables consistent and efficient production of additional prints or editions.

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Types of toning

  • Selenium toning

  • Gold toning

  • Sepia toning

  • Split toning 

  • Custom color matching

  • Thiourea toning

  • Dye toning

Fiber based paper

  • Ilford Warmtone : Semi matte & Glossy

  • Ilford Classic: Glossy & Matte

  • Hand-coated emulsion on paper & fabric

Print developer types

  • Cold & warm tone

  • Ultra black 

  • Custom developers

Film processing

  • Reversal/ Direct positive

  • Push Pull;

    (expansion N+ & compaction N-)

  • Small tank development   

  • Ultra large format film

  • Individual selection of preferred film developer

  • Sharpness enhancing developers

Digital Services

  • Negative retouching 

  • File manipulation  

  • LVT Negatives

  • Negative scanning  

  • Digital Copy

  • Digital image archive management

  • Digital printing with pigment-based inks

 Dry mounting

  • Four-ply archival museum board  

  • Archival Gator board

  • Oversized mounting

  • Archival dry mount tissue

  • Aluminum honeycomb

Cold Mounting

  • Museum board

  • Archival foam board

  • Aluminum composite panels (Dibond)

  • Aluminum Honeycomb

Other Services

  • Retouching - traditional spotting

  • Storage of print editions

  • Restoration of damaged prints